Perhaps it is precisely because of this that Long Yingtai described "Under the Mountain of Dawu" as a speculative trek on love and life...". During the trek called writing, Long Yingtai said, "I have many friends who have given me a lot of nourishment. I am in this hall today, and I express my gratitude to these friends. Sometimes I will tell you, 'Really all It’s fake, it’s all real”, but I actually sneaked some names into it.” Long Yingtai simply named his name on the spot, and in an instant,
The characters in the novel not only appeared on the bulk sms service paper, but also entered the crowd. Among them, everyone in the whole venue looked at each other's faces, as if they could find similar characters in the book, as if they had also walked into the ancient literary path where the virtual and the real were intertwined. "The local people will read the shadow of someone, something, and a certain landscape in the book." Long Yingtai said. For example, the goose named Meatballs, the Biyoma tribe, the market in front of the temple entrance, the Church of Our Lady of Wanjin, and the small shop that sells Hakka noodles not far from the church. There are too many inadvertent details in life.
The scenes seem to be written for the people of Pingtung, and only local people in Pingtung can read them. People who purely read novels probably read the past, and at most think it is the atmosphere of literature, but local people will read another real sense of time and space. "The feeling of walking that you imagine when you read this book is completely different from that of a Taipei native." Long Yingtai explained how literature creates a more authentic experience between reality and reality. 1 2 » Read the full text Don't want to paginate? Try our new service you may also like [Fiction] An excerpt from Shuichi Yoshida's "Fleeing Novel Collection": The news broadcast on the TV screen is a popular idol in the past, and the current whereabouts are unknown Excerpts from Camus's "The Stranger" novel: